Showing posts with label Recession. Show all posts
Showing posts with label Recession. Show all posts

Tuesday, September 9, 1997

Society writer inspires the French Left

Anne-Elisabeth Moutet describes how Paris has fallen at the feet of a 72-year-old lady bountiful.

A seventy two year-old lady novelist whose couture suits, pearl earrings and shoulder brooches have become ubiquitous on the coolest French television talk shows (such as Canal Plus's Nulle Part Ailleurs) has become the unlikely heroine of the French left. She presides at grand lunches given by French industry for George Soros; and even -- in effigy -- at the front of workers' marches, with banners quoting from her book.

The success of Viviane Forrester's slim essay L'Horreur Economique, which has been on the L'Express bestseller list for one year, selling 350,000 copies since the summer of 1996, must be seen against the background of rising unemployment and political impasse. In the past 15 years every political party has been in power save the National Front; each promising to reduce unemployment, each failing and being voted out in what has been called the "windshield-wiper voting pattern."

L'Horreur Economique is being translated into 17 languages; and there is talk of a Gaumont-backed documentary directed by Marcel Ophuls. Meanwhile Forrester tours the country lecturing. She promises a sequel "to answer the people who have written to me" -- 500 in the first month of publication alone.

Many believe Forrester's ideas played a part in the Socialist party's surprise victory in May's general election. One of the slogans shouted by the striking Belgian Renault workers, recently protesting against the closure of the Vilvoorde plant, was Non à l'horreur économique.

Her thesis is simple to the point of crass. There is, she writes, a conspiracy by "those who control economic power" to "hide from the workers the truth that they are no longer needed by the capitalist economy." These new elders of Mammon regard unemployment as desirable: companies which close down plants see a rise in their share price. Politicians and civil servants collude in producing trumped-up statistics and trompe-l'oeil policies designed to provide fallacious hopes for the jobless. Countries such as Britain and the US, where unemployment has fallen, have achieved this by slashing welfare protection and creating jobs that "import third world conditions into first world countries."

"I do not belong to the power elite, to the establishment," says Forrester, commenting on her unexpected popularity. "I can say unfashionable things. I can speak for the downtrodden." This is disingenuous, to say the least. Forrester is a book reviewer for Le Monde and a member of the Prix Femina jury, which makes her a serious force in the Paris nomenklatura. (When André Brincourt, chief reviewer for Le Figaro, did not like one of her recent novels, he devoted a third of a page, complete with flattering picture of the author, to explain how he felt unable to understand her.) She has published a dozen novels and biographies of Vincent van Gogh and Virginia Woolf. A scion of the Louis-Dreyfus banking family, she wrote an acclaimed memoir of her war years, describing how she and her parents hid from the Nazis. In literary Paris, you mess with such a woman at your peril.

"We are now discovering that there is something worse than being exploited: it is to be deemed unexploitable. In the 19th century, proletarians were expected to stay in their place. Today, they are told that they have no place at all," she says. Her sincerity is not in question. But it is considered unsophisticated in Paris to ask what exactly are Forrester's credentials as a political economist. (Answer, given cheerfully by the author herself: none - although she lists 146 books in her bibliography, ranging from Hannah Arendt to Norbert Wiener.) One of her critics is Alain Minc, the author and Le Monde chairman - a nomenklatura heavyweight himself. "Your book is a talented opinion poll," he recently told her. "It is a publishing success because it plays on people's fears. But it would have sold far fewer copies if it had been signed by [Communist party leader] Robert Hue." Minc argues that the prosperous French workers and their unions have refused to trade some of their benefits for wider employment. "Since 1973, average purchasing power has risen by 40 per cent in real terms in France. If we had accepted a rise of only 35 per cent, there would be 1m more jobs."

Minc's language is very far from Forrester's emotional prose. In beautiful, stream-of-consciousness French, she describes the homeless sleeping in the streets of Paris near luxury shops; compares young French Algerians in their banlieues to Emma Bovary dreaming of the good life; berates the economics Nobel prize winner Gary Becker for suggesting that European governments lower their dole payments to push the unemployed back to work. It is easy and repetitious ("there are fewer jobs" appears, among others, on pages 10, 13, 38, 42, 63, 74, 86, 136) and sterile. "It's not my job to offer solutions," Forrester says.

Forrester believes that "cosmopolitan foreign thought has taken over our familiar world, destroying it"; and repeats variations of this theme throughout her book. For some reason, nobody in France has yet pointed out to the former Viviane Louis-Dreyfus that exactly the same terms are now used by Jean-Marie Le Pen, and were at the core of Vichy ideology. The myth of a defenceless France besmirched by a coven of evil financiers is regrettably familiar in French history.

© Copyright Prospect & Anne-Elisabeth Moutet 1997

Sunday, June 12, 1994

The recession hits the Prix de Diane

The Prix de Diane is hit by the recession, discovers Anne-Elisabeth Moutet in Chantilly

You really know there's a recession on in France when the House of Hermès - of FF40,000 ostrich skin 'Kelly' handbags and FF1,450 horsey print silk scarves fame - decide they won't hold a luncheon this year at the June 13th Prix de Diane, which they have been sponsoring for yonks, my dear, and will give their guests PICNIC BOXES instead.

This, in Paris, is the equivalent of Royal Ascot going grunge. Especially since I'm told the vintage car competition, Le Gratin Du Panier, won't happen either. (Usually, when the Right came back to power, people showed off the 1937 Rollers they'd been hiding from the Socialist taxman, surely not the other way round?)

In past years the Hermès tent village, erected right in the middle of the delightful Chantilly racecourse, has been host to all sort of suitable charities, of the kind that mix properly with morning coats and exotic ladies' hats. (The year before last, the late lamented Audrey Hepburn showed up in her UNICEF ambassadorial role, and everyone sighed, remembering her Cecil-Beaton-designed black and white Ascot outfit in My Fair Lady: the perfect woman in the perfect place.)

For Chantilly in mid-June IS the perfect place, and you can bet Parisians toffs will bravely rough it and make do with sandwiches. It will be the spirit of the Blitz again, or perhaps the spirit of the Blitzkrieg, or Dunkirk if it rains. But the show will go on.

You notice I haven't mentioned horses yet. That's because, except for a handful of owners and serious punters, horses do not count at all at the Prix de Diane, unlike at the Arc de Triomphe in September, where they get serious about these things. The Diane is all about having a nice garden party with about 1,500 PLU, showing off the most outlandish hats (having acquired Motsch, France's wonderfully fuddy-duddy answer to Lock's, Hermès now has a stake in that, too), drinking lots of bubbly, being photographed for Point de Vue and Vogue, and airkissing six times per minute people you pretend to be astonished to meet here: 'Mais tu es là! Quelle surprise!'

One shows up around 11:30 a.m. or noon, having ineffectually sworn to be on time to avoid the traffic on the A1 from Paris, and having been delayed by 1) the sudden disappearance of one glove, 2) finding out that you don't fit your morning coat anymore to the tune of a stone or more, 3) having lost one of the children after having finally got them all properly dressed up, or/and 4) losing your way when trying to bypass the traffic on the autoroute by taking the Survilliers shortcut. (DO NOT park too near the enclosure, because it means you'll be stuck behind the poshest traffic jam of the year when you try to make your getway at the end of the day.)

The Prix de Diane - devoted to Spain this year, with the possible attendance of members of the much-admired Spanish Royal Family - is definitely the high point of the Paris Season. The word evokes a series of parties in the English tradition: teas, little dinner-dances, picnics al fresco, opera outings, garden-parties, country fetes, culminating with the big May balls (in June.) This charming picture, relentlessly fostered by every PR agency in town, belongs to another, gentler age. Two-thirds at least of any of those parties supposed to constitute The Season are in fact commercial affairs, sponsored by anyone from a champagne house (the Carré Rive Gauche Antiques Fair) to a hotel chain (the Prix de l'Arc de Triomphe at Longchamp.)

A certain amount of social editing is therefore required before throwing oneself into the bop till you drop scene. You can live without showing yourself at either Auteuil or Deauville (it is actually strongly advised to avoid Deauville altogether), but nobody feels like giving the Diane a miss.

At the time of writing, it was still uncertain whether the traditional evening cocktail party in the Prince de Condé's splendid stables - where Milos Forman shot the first duelling scene in Valmont, and which look a lot better than the château de Chantilly itself, the latter having been rebuilt in the XIXth century while the stables are the original Louis XIV ones.

Having recently gone public on the Paris OTC Bourse, no doubt Hermès feel they can't give their shareholders the feeling they're wasting their future dividends. Perhaps this will comfort at last the HSP (short for Haute Société Protestante) families who've been owning the company for 150 years, and may have felt a bit uneasy at their own success during the Roaring Eighties: certainly the company resisted going big, even if it means you have to wait six months for any handbag that doesn't happen to be available right now in the boutique's windows in the colour of your choice.

Such considerations probably won't affect the success of the party next Sunday 13th. Tips: it's a lot more chic to picnic alongside the racecourse than behind the main tent, even (or especially) if this means you'll be in everyone's way. DO bring a plaid blanket (or a red-and-gold one to make the Spanish Ambassador happy). DON'T take Cristal Roederer bubbly in your hamper because the clear bottle tends to get warm faster than the dark Dom Pérignon or Krug ones. (Additional points this year for bringing vintage Rioja instead, but with the sun you may get very drunk very fast. Remember it's not done to be sloshed before at least the second race.)

DO take off your shoes to walk on the grass if you feet are killing you by mid-afternoon (last year, Hermine de Clermont-Tonnerre set the tone by actually spending the last two races slumped on the grass with her two fet in two champagne buckets filled with ice cubes.) DON'T go alongside the enclosure ropes to throw brioche crumbs at the hoi polloi massed there, making remarks such as 'Mon Dieu qu'ils ont l'air pauvre!' (also heard last year).

DO watch out for the green badges (meaning Jockey Club) on the best men. DO NOT go and sit on the Jockey's stands, on the flimsy grounds that they're about the only place from which one can see a horse for a split second however, since you're likely to be thrown out politely but firmly by one of the members of this arch-elite (who regard the rest of the scene as rather mixed). DO go and gatecrash the little sponsored dos in various tents: there will be more free drinks, and you're the public they're trying to impress anyway. DO wangle as many extra tickets as possible: 'The secret is to take several friends, so you have your own little party inside the party,' says Dominique de Lastours, who being a 28-year-old personable Marquis is something of an expert social butterfly on the Paris social scene. Dominique and his friends do gate-crash "but we behave a lot better than the English gate-crashers. We never break anything and we keep very polite. Sometimes, I assure you, we set a better tone than the actual guests."

I have a soft spot for Dominique, whom I've seen at the best (or the most publicized) parties. The Prix de Diane is a welcome relief from his usual haunt, Castel's, he says, "because the food is a lot better and the women are older." I also suspect the formidable PR women in charge of things actually let him in when they haven't actually got him on their lists. It's difficult enough to get the right mix as it is. When the Lebanese middleman Samir Traboulsi was indicted for insider trading three years ago - he is to take the stand in the Paris courts the very week of the Prix de Diane - one of them wailed to me: 'This is a disaster. His wife was always the first to send me her cheque. She'd buy whole tables of 10 and 12 guests for the charity luncheon, and pay immediately. I'll miss her.' So shall we, digging into our picnic boxes.

© Copyright The European & Anne-Elisabeth Moutet 1994